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Edited by:
Sarolta Szulyovszky

Biography

In person courses

Enrollment deadline

Registrations will be accepted within the limits of available places.

Language: Italiano
Total hours: 43,5
Cost: 430,00 €

Course with final certificate

Accessible with Italian Teacher Card

Agenda

  • 27.7.2026 09:30–18:30
  • 28.7.2026 09:30–18:30
  • 29.7.2026 09:30–18:30
  • 30.7.2026 09:30–18:30
  • 31.7.2026 09:30–18:30
  • 1.8.2026 09:30–13:00

The illustrator’s toolkit: techniques and tools

The course is a hands-on journey of experimentation: each day is dedicated to exploring different tools, materials, and techniques. In illustration, as in any craft, the tools are part of the creative process: often the ideas are there, but the means to translate them into effective images are missing.

The course is designed both for those approaching the world of illustration for the first time and for those with experience who wish to deepen their expressive research, find a more intentional direction, and develop a recognizable personal voice.

The goal is to provide a true “toolbox”—technical, methodological, and creative—that allows ideas to be transformed into coherent and meaningful images.

Through guided exercises and moments of free experimentation, participants will work on the fundamental elements of visual language: line, gesture, and mark; the construction of form and composition; and the creation of textures, patterns, and atmospheres.

Different languages and approaches will be explored in a personal research process, with reference to techniques and visual solutions used in children’s picture books.

The course will culminate in a final synthesis project, in which each participant will connect the techniques explored with their own expressive choices. This will be an opportunity to consolidate what has been learned, recognize personal strengths, and create a work that authentically represents the journey undertaken.

Techniques explored during the course:

  • Line and mark-making with ink and watercolor ink
  • Textures and patterns: hatching with fine liners
  • Shading with graphite powder and chalks
  • Frottage
  • Monotype and painting

 


Illustration by Sarolta Szulyovszky, Születésmes, ScolaR, Budapest, 2025

Basic level of manual skills.

All required art materials must be supplied by the participant.

  • A rigid support to secure the paper (e.g., thick cardboard), size 30×40 cm
  • Lightweight paper for sketches (60 gsm, A5 or A4); a sketchpad is also fine
  • White, gray, black, and light-colored cardstock for drawing, A4 size
  • Mixed-media paper, 200 gsm, in a pad
  • Pencils of various hardness (H, HB, B, 2B, 4B, 6B), pure graphite
  • Charcoal
  • Hard chalks (e.g., Gioconda brand)
  • Black ink, various brushes: fine round-tipped and wide flat
  • Fine liners with different tip sizes, fine and thick
  • Pencil eraser, kneaded eraser, regular eraser, scissors, craft knife, glue stick
  • Graphite powder
  • Masking tape, paper towels
  • Acrylic paints
  • Jar for water and a palette (or plates) for mixing colors
  • A rubber roller for monotype printing
  • Colored pencils
  • Graphite paper (tracing paper)
  • Apron to protect clothing
  • Magazines, photocopies, and/or personal photographs that could serve as inspiration
  • It is recommended to bring a container for water, a palette (or plates) for mixing colors, and a cloth for drying.
  • In addition to these materials, each participant may also bring the supplies they normally use.

Centro Sociale di Rugolo
Via Rugolo 1
31026 Rugolo di Sarmede (TV)

The illustrator’s toolkit: techniques and tools

Edited by:
Sarolta Szulyovszky

In person courses

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